I’m pleased to announce the publication of my middle-grade fictional book, The Rain Catcher! It’s been changed since I posted the earlier snippets of it, but the general idea is the same. The story is set in Scotland and follows 13-year-old Katy as she visits her estranged other for the first time in 10 years!
My book started off as a diary-format novella for adults, then morphed into a more complicated (3 points of view!) novel for adults, then just a plain (1 point of view) novel for adults. And now…it is a short chapter book for kids aged 11 and up! Phew!
So, all those adages about writing taking time, blah blah…well, they’re true! The idea for my story came after I took a trip to Scotland with my mum in 2006, so you can count back to see how many years it took me to get to this point!
If you have a young person in your life who likes to read, please give The Rain Catcher a try. It’s got some mild bad language, and there is definitely a dark side to it, but nothing worse than most kids see on the nightly news. If he or she likes adventure and is curious about traveling to another country, this might be a good fit for him or her. I’m going to be setting up a kid-friendly page on this website soon, so stay tuned!
If you have children, you probably have mixed feelings about the holidays–excited and scared at the same time! Two weeks! How am I going to keep them busy for two whole weeks?? There are only so many holiday crafts, parades, and Christmas films.
How about supplying the kids with books to keep their brains active and you sane!! Here are a few I’ve read and liked…
The Gingerbread Witch is a fun story written by Lisa Logan with help from her 4-year-old son, Dean. My kids (age 7 and 4) love it because it’s not your typical sweet-as-sugar children’s book (often written more for the parents than the kids!). There’s an actual story here–a really good one! And a lesson to be learned.
Straight from the horse’s mouth — my daughter and I both like these mysteries involving Cam, a girl with a photographic memory and her best friend Eric. They are great at solving mysteries! We especially like the very first in the series, Cam Jansen and the Mystery of the Stolen Diamonds.
Into The Land of Snows by Ellis Nelson is a fast-paced story about 16-year-old Blake who must deal with his parents’ recent divorce. When he gets into trouble, his father demands that Blake join him — at Mount Everest! I haven’t finished reading this book yet, but I’m enjoyed it so far and have read lots of Nelson’s well-written book reviews. I have high hopes for this book!
I really love pixton.com because for years I’ve dabbled with creating comic strips, only to get discouraged when my scribbly drawings were too messy. I couldn’t duplicate the characters well enough, and I’d soon run out of steam. But my friend, writer Lisa Logan, introduced me to pixton a couple of months ago, and I’ve been cartooning ever since!
Here’s my latest attempt at humor – in response to the U.S.A. election this week. I’ve been thinking that while words can be mightier than the sword — as we’ve seen on TV, they can mobilize huge numbers of people — they only have the power that we give them. Words alone, without the human emotion behind them, are powerless.
So, we can choose to be broken down by horrible words. Or we can render them meaningless by responding to them as though they were a toddler’s crayon scribbles or the boring ingredients on the back of a box of cereal.
I’ve been experimenting with the website pixton.com, which my friend Lisa Logan (also a writer) introduced me to. You can create your own comic strips or graphic novel – the trial period is free, and after that rates start at $8/month, which is pretty reasonable.
It’s a lot of fun, and as Lisa says, is also a kind of therapy. I’ve made comic strips about the election, my 3-year-old’s habit of shouting “Poop!” really loudly, and all sorts of things.
Anyway, I created a tiny ebook (PDF) for kids that lays out VERY basically how to write a story. Here it is if you’d like to share it with a kid you know. The age range is about 7 to 9 (my 2nd-grader helped me come up with ideas). So, please download it and let me know what you think! I’m hoping to do a longer, more detailed version at some point…eventually…
About two weeks ago, I attended Bookmarks Festival of Books & Authors. It was the first time I’d been, and I was only able to stay for a couple of hours. But it looked great from the little bit I saw! Besides showcasing local and national authors, the festival offered Slush Pile Live (Sponsored by the NC Writers’ Network) for aspiring writers to have their work critiqued. Well, the first 300 words of their work, anyway — anonymously by a panel of agents and editors.
I submitted my 300 words and waited, heart thumping, in the audience for them to randomly pick my work and tear it apart. They never got to mine. But I did learn a lot listening to them tear apart other people’s writing! Here are some tips I gleaned from the painful lessons of others. (Okay, they weren’t that cruel, really!)
Don’t start a memoir with a date. So many submissions started with something like, “September 29, 1962” and then went on to describe events chronologically that weren’t super-exciting. A memoir should read like a novel, with character development. The first section should give the framework for that character’s journey, not just a list of dates and events.
Don’t start a story with so much excitement that the rest of the story can’t possibly live up to that first scene. At least two of the entries started with really gripping, tense scenes. One involved a mystery intruder and a scream from inside the house — the tension was too much, a panelist said. The scream made the story “almost comical” (ouch!). The other started with a gripping car accident which then dwindled when the character just stood around watching the night sky!
Don’t start with a boring topic. One submission described a bug in the sink. Another started with the character getting hugely excited about registering a copyright. The panelists didn’t want to hear the rest. The author has to establish why the reader should care about the story, one panelist explained. The first few sentences are a “microcosm” of the work, the other added.
Don’t use flat language that tells instead of shows. The unpopular entries didn’t include sensory details to anchor the reader in the scene. They contained clichés and flat declarative sentences that didn’t show the character’s personality. The panelists liked a children’s book entry, told from the point of view of a little girl who’d been struck by lightning while she sat on a fence. The writing was full of color and funny words, specific to that character.
All the panelists had really great suggestions and insights about how to start a piece of writing. The key idea I took away from Slush Pile Live was that you only have a few seconds time to capture a reader’s (especially an agent’s or editor’s!) attention. Every detail and sentence counts. Don’t go off on tangents, and don’t include boring stuff that doesn’t really matter.
In my next post, I’ll write about a few of the authors I met at Bookmarks — dedicated writers who didn’t mind standing in the blinding sun for hours to meet new readers!